|
|
However, the confidence, directness and simplicity of 'Two Egos' continued and I began in 1986 to experiment and take further those parameters that I felt made 'Two Egos' a successful new development: no black; increased yellow; dominant cropped torsos; less conventions i.e. horizontal/vertical lines; reconsideration of personal symbols i.e. vase, window, table, bird etc.; less air brush, small scale, etc. This turning point created by 'Two Egos' is still with me in 1987, but diminished in working importance by more recent works such as 'Land of Hope and Glory' , 'Cathedrals', 'Women Can't be Angels'." |
