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The Laing
The Laing exhibition was a valuable opportunity at a pivotal point in
the development of Duffy's abstracts. By 1988 his semi-figurative
works had become semi-abstract and in continued reduction towards the
pure abstract potential of line, form and colour. When offered a large
scale show at the Laing he seized the opportunity to exhibit his new
abstracts.
Mike Collier of the Laing Art Gallery and Museum wrote of Duffy in
1989:
"Terry Duffy is a rare individual. He is both an innovative
artist and teacher. He believes in the value of genuine creative
activity and in his teaching and his art he is uncompromising in his
confident handling of visual experimentation.
What gives both his work and his teaching its quality is his view that
experimentation should be allied to a sound visual knowledge of the
history and craft of modern art, and that art does not exist in a
social vacuum, but is a part of life. With this realistic and
unpretentious approach he has developed ways of sharing the joy,
anxiety and passion of his art with artist and non artist alike,
especially through the format of the art game.
Alongside the creative side to his character, he is also a pragmatist
and an opportunist. It is this combination that has enabled him, over
recent years, to develop and expand the faculty of Art and Design at
Liverpool, of which he is the head, at a time when many similar
departments in other British cities are being cut back or abolished
altogether. During this period he has also established a series of
thriving studios and workshops for struggling artists and designers in
the centre of Liverpool which is now the British Art and Design
Association, a registered charity. Through these activities, he has
been able to raise considerable support for the visual arts in
Liverpool by confidently asserting the value of experimentation,
creativity and craft within the community.
This strength of character, allied to a restless creativity,
constantly reasserts itself in his work as he plays with the visual
language of modern art and reflects upon the social and spiritual
sides of human nature. His art is daring. Time and again he appears on
the verge of consolidating a fruitful and energetic period of
production when, unsettled and unsatisfied with his work, he takes
another shift in a new direction. There is also humour in his
paintings and drawings, giving them a greater depth and range of
expression. It is precisely the combination of pragmatist, observer
and innovator that gives Terry Duffy's work its humanity. This
exhibition comes at an important time in Duffy's artistic career. The
last eighteen months appear to have brought about a synthesis. His
varied output of the last 15 years begins to make sense as a whole
body of work, rather than a series of disparate, unrelated exercises
in visual language. His work now resonates, it no longer
illustrates."
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